Adoration – Sideboard Tableaux
In the collection of the National Gallery of Victoria
The cabinet presents as a ‘cluster’ or tableau of forms – a ‘mid-century’ type teak cabinet with a white cube half inset, half protruding, on the left.
Abutting that further to the left is a cluster of three teraphim-type, zoomorphic cabinet forms presented in a continuum. Two facing forwards and the end cabinet facing in at 45 degrees. Two (internally connected) Teraphim have doors and one has drawers.
That is, a tableau of interrelated shapes representing a continuum of three categories:
On one level the work references the privileging of primary minimalism through the tongue-in-cheek key components of an Adoration of the Magi metaphor.
Adoration is intended to work in at least four categories and at two levels of salience:
So, our categories at the first of the two levels of salience are:
At the second level of salience: